This just has to begin it: Lisa’s abaca-dipped bra.
And another piece by Lisa Cirando, who made a lot of great things, including all of our kozo shades in the previous post, and a glorious abaca-dipped book I loved.
Last week was jam-packed, and it didn’t stop this weekend, beginning with a Saturday morning flood in my bathroom, most likely caused by two of us having long showers while a third person did laundry, and going on to the excellent time I will end this post with a tiny glimpse of.
Barbara Landes’ fantastic use of the pattern on an old rusty heating grate, found in a gutted house next door that now belongs to WSW (for which there are exciting plans!) and below, an exploration of ongoing themes in dyed kozo and abaca, perhaps contributing to her upcoming thesis work (sorry for the bit of blurriness):
Today, Sunday, was up and out for studio prep and fiber-beating and e-mail answering and the rather dismal local laundromat (in all but its name: Tiny Bubbles). And then, meeting almost all the next class at dinner – it all begins again tomorrow!
Ceci Cole McInturf’s cast back, done in very thin flax, and her big, lovely loose amate exploration – done with our kozo and some of the elusive bleached kozo that Carriage House sold out of before I got to Brooklyn to buy some a couple of years ago – Ceci gave me some to mess with! (Thanks!)
This post contains two images of everyone’s work from the week, with big apologies to Laurie – I tossed out my class list in a cleaning-up frenzy and lost her last name! (Please e-mail me, Ms. Kosogompi, and I will correct this!) The images are no indication of the volume and variety of the experiments, and I was really disappointed that a few photos I really wanted came out blurry, but this is a taste, anyways.
I loved Jackie May Hiller’s short-handled rake, one of seemingly hundreds of strong pieces she made; below is a hanging piece incorporating just about everything.
The week also seemed to begin Interview Season, which is fantastic; they’re for an oddly, pleasingly diverse medley of publications and purposes, and all surprised me hugely. I did one in the evenings, another in person, and a third will happen in the evenings this week, while the in-person one will continue by e-mail. I’m feeling incredibly dang lucky, in spite of regurgitating showers, nut attacks, and washing machines that tear holes in favorite shirts. Those all have their part in whatever this story is, at any rate.
Above is a bad photo of one of Laurie’s curiously appealing winged figures; the other is a marionette. This one had squishy rubber hands and feet, and intricate guts made from an incredible $4 haul at the local salvage store; below, her early experiments:
This was a most excellent group of folks to spend a week being pulpy with. Or longer! I will hook up with Lisa again in August: we are both taking Aimee Lee‘s class at the Morgan! And, best of all: this won’t end here. The work done in these quick classes is just the beginning, and these folks truly understood that.
Here are some intricate abaca insects by Stephanie Garmey, who teaches at MICA. I’m eager to see how this all intersects with her current body of precisely cut 3D paper objects and installations. Below: big beautiful abaca water lily prototypes (and she left with three re-usable armatures and pulp, ready to make many more).
I spent a delightful afternoon chez Richard Minsky on Saturday, complete with a big, delicious lunch and even tastier company and conversation. My thanks to Barbara, Richard and George; I so enjoyed time with you all.
My GPS said the address didn’t exist, so I had a bit of an odd time following Richard’s excellent directions on my phone while driving. Then, I pulled into a curved drive; the house, which I had a photo of, was blocked from view but I saw these:
…and knew I was in the right place. And I truly was. What a perfect way to end a wonderful week!