
Unbelievably, I am in Vermont. I pulled up outside just in time for dinner after 12+ hours on the road yesterday, something I should not do and will not again; my feet and legs were still vibrating unpleasantly when I went to bed hours later.

Hurricanes and Halloween.
Wednesday, I wrote the last blog and caught up with all sorts of paperwork (electronically), and notified Vermont Studio Center that I would probably not be arriving till Monday, though the session began Sunday. On Thursday, I was finally well enough to make it out of the house, still slightly bleary; I ran delayed errands, delivered a lot of artwork and picked up a couple of lovely items I bought for the studio, thanks to Evanston Print & Paper‘s generosity. Friday, Paul and I addressed the house (which I am sorry to say was absolutely disgusting; when I return, we’re having a guest for a late, weeklong delayed Thanksgiving celebration; now it can be kept decent for that) and I re-packed, switching out things from Ragdale for what I plan to do here. That evening, I had a lovely visit from and impromptu dinner out with Gail Stiffe, who was visiting Chicago post-conference. We both discovered that we would be back at the Morgan the very next day! I offered a ride, but she had already booked a bus ticket. I got only a few hours’ sleep so I could leave early in the morning, but was delayed; didn’t leave till 8 am, braced myself for horrendous traffic…and there was…none! No traffic at all and I made my fastest time out of town ever: 38 minutes. (It was Saturday, and I didn’t even realize it; that’s what being knocked out for several days will do for you).

Behind the studio.
I got to the Morgan and put 2lbs of flax (I had none at home) to beat in the red monster beater; the Morgan folks had kindly soaked it for me overnight. I had a great time talking to Susan and Tom and heard more about the conference and made some future plans; it was lovely to be there as it always is, for any reason. I beat Gail by an hour. I drained the flax down to fit in one bucket (tossing out most of the hemicellulose, but I am casting with it, not making sheets). On the way to Ohio, I kept getting text and social media messages, saying I was heading towards Hurricane Sandy, so Susan checked out the predictions for me. It seemed prudent to do the entire drive Sunday, instead of stopping overnight as I’d planned. I drove to Cindy’s and we only had a few minutes’ visit; she went out and I was in bed by 8 pm (which wasn’t hard to do; I was mightily fried by then and not capable of anything else); up and out early and a long, nasty drive, with Sandy pushing lots of rain and wind in front of her: rain from Ashtabula, Ohio to Syracuse, NY; advance high wind all through Vermont, rocking the car. I was so tired (again) I didn’t even unload the studio last night; did that and set it up today (and snagged the last half-bag of casting plaster, woohoo!). Now, this evening, we’ve got our predicted Sandy-related winds; spectacular gusts out there, and we’ve been told what to do in case of a power outage. I’m wishing safety to everyone in Sandy’s path!

Hello, Sandy…
(Just as a side note, because of my damaged ears, I can be extremely sensitive to rapid pressure changes in the atmosphere. All day, I’ve been a bit dizzy; now that the winds have arrived, I’m fine…)

Roof birds and Sandy…




What else? Arranging things, planning the next projects, beginning to get ready for Penland. The snow is melting, and I have lovely new rubber boots that are as comfortable as old shoes. It’s all odd, all good, and…that’s all.




This is Jill Summers and Susie Kirkwood’s attic installation for House, Dreaming. They made a great stop-motion video which was projected onto the screen and is perfect for Halloween. The ghosts in my machine will not allow it to embed no matter what I do, so 
















