Women’s Studio Workshop is growing!
I am sorry to have neglected the blahg-o-sphere but it couldn’t be helped: busy busy busy! But pretty much all good, and am having a great time seeing old friends and making new ones.
It’s much more extensive than either of these photos show; there’s lots more going on behind the second house. Hooray!
I worked pretty much up till the moment I left Chicago; drove straight to the Morgan and dropped off the work for Revive and Renew, which (as I saw yesterday) is a Really Good Show and had a lovely dinner with Aimee and Velma, and then a fine evening and early morning with the Smiths at their peaceful sanctuary.
The human press dance, performed enthusiastically by Teddy and Jean.
Then, the long long drive to a stellar week at Women’s Studio Workshop. I do so love it there at any time for any reason, and it was made even sweeter by a workshop that was sort of a dream class. Everyone in it was a working artist with a considerable practice, who came to shake things up a bit. And everyone GOT it: that this five-day workshop was much less a place to focus on making Cool Stuff Right Now, but something to be used as a catalyst. Everyone left with components for works to be completed, test pieces, the knowledge to be able to take things further, and best of all: ideas. That all made me SO happy (in spite of the coughing cold that two of us developed early on that, for me, is still lingering, and the fact that one person had to leave to deal with a home situation after only one day: I hope you are OK). The collective spirit and tone of the class was happy, friendly with lots of exchange, industrious, and above all, one of discovery. I simply couldn’t have asked for more and I am eager to see what will come of things in the future. Many thanks to you all!
Here we all are on the last day, minus one who had to leave: Andrea, some weirdo, Teddy, Jim, Jean and Donna.
The non-class time, too, was filled with excellent activities: a delicious dinner with Ann, Tana and Susan (whose class in the front studio filled the walls with colorful innovative prints), a lovely long visit and dinner out with Amelia who drove over from Connecticut, an afternoon of walking and mushroom-foraging with Tana, getting to hang out with the fabulous Chris (who helped locate and install some WSW ear-fungi on Saturday) and Sara, and two interns, Alyssa who was a HUGE help in the workshop and Mary who cooked up some fantastic lunches (and kindly popped some very tasty vegan leftovers into my little fridge).
Up at the ArtFarm with Chris.
Early Saturday evening, after ears were installed and the car packed (with just what I needed for the night and morning left out), I did something I’ve wanted to do since I first came to WSW in 2009: walked the (expanded, but now restricted) rail trail past the eerie old mine shafts and then: out onto the tall, tall former railroad trestle that spans the little river valley over Rosendale. It’s been restored and is now open to the public. I don’t really like heights, but have always wanted to get up there. It’s gorgeous.
Gorgeous views from the trestle…
Then I got up at 5 am, drove all day and got to the Morgan just as Aimee and Velma’s joint class was wrapping up; I got installed over at Tom’s and had a nice visit with him, Aimee and Velma, and then Velma and I got an all-too-rare treat, a couple of hours just to talk. She’s headed back to the North Country now (safe travels).
...but a long way down.
Even more good things happened: Aimee’s article about the Morgan’s Eastern Paper Studio appeared in the Surface Design Journal, and one of my works was chosen to accompany it with a very lovely layout; the Revive and Renew exhibition opened at the Morgan on Friday, and it is fantastic, with a lovely catalog, and Ann Starr came to review the show but so enjoyed the Morgan that she wrote this, which perfectly captures the place (and I thank her for the shout-out as well). Now I’d better get over to the studio…
I couldn’t resist this “collaboration” with Tana (even though she didn’t know about it).