I made an October shortlist of tasks and am happily going about them. Except for the next stage of the milkweed (which will resume over the weekend) the order in which things get done isn’t important. That lets me take advantage of weather; I’m acutely aware of the impending winter. So, my self-determined work plan is a little goofy, but satisfying and comfortably productive.
Monday’s main task: the older back garden. Thanks to a gorgeous day and my desire to try to grow milkweed, it’s now cleared more extensively than I usually do, and much earlier. For my new fiber this year, I harvested, chopped, steamed and stripped the French hollyhocks to see what happens (I’ve seen hollyhock paper, but not handled it). If I like it, I can take two small harvests a year from the yard. Tuesday, a lot of admin, including a visit to the genius bar, and though I didn’t plan to, I cleaned all the hollyhock fiber, because it was super-easy. There were some other harvests, too.
Yesterday, I cooked the hollyhock, and then we humans met with our new trainer. She’s a vet and animal behaviorist. We’re radically changing things up, starting Chance with clicker training. It had become very clear that while traditional correction training worked well for some things, it worked against his fear aggression, and in fact has intensified it. We’re training ourselves one tiny step ahead of Chance, but we have experience with that: any teacher of humans has, whether or not they admit it. I began today and Paul chimes in in a few days’ time, after Chance understands the basic foundation. He’s very interested in this new activity, focused. I am too: I’m already liking the process, and as I read more, I’m also intrigued by the premise (and predict I’ll end up reading the theory). Best of all, it can and should happen in short bursts throughout the day, easy to fit in (and contributes to) the pleasing odd range of October tasks.
Out in the world, a very nice blog by Ann Martin, also exhibiting in Pulp Culture at the Morris Museum, who was able to attend the opening reception in Morristown, NJ. Ann provides artists’ credits; the museum’s Facebook album has lots more photos and shows more works, but gives no information: still very definitely worth the viewing. This is another show I’d love to see in person.
Installation photos courtesy of the Morris Museum.