Zip Zip ZIA

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Just a quick check-in. It’s been a zippy-busy week, so I have had very little media time. The ZIA show opens this evening; I had a bit of a preview yesterday when I dropped off an older piece (there was room for it after all) and it looks wonderful. Anne Hughes has such a facility with space. I particularly liked how she presented the new series.

aajoomchidetailJoomchi always makes me happy.

I closed out the pre-show studio marathon last weekend with my kind of celebration: joomchi! In this case, it became text-pages for a new book. The book was bound Monday, then all the work was packed, loaded, delivered and unpacked Tuesday, and I got an excellent soon-to-be-warm-weather haircut. Wednesday was paperwork paperwork paperwork and a return to twice-weekly hospital p/t sessions. Thursday I began addressing a whole huge load of things that fell by the wayside during show prep, Friday another session with the physical therapist, errands, and the drop off at ZIA. More soon; things will calm down a bit after today.

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I used the very last of the ‘bad’ hanji sheets, which for me are the ‘best’ sheets. I love the sheet-formation anomalies, and what the joomchi process does with those.  Now, I’ll have to make do with decently-formed sheets, until I can make my own ‘bad’ ones.

Out in the non-ZIA world, the MCBA has sent out a flyer for The Contained Narrative show that opened on April 8, and they have published a (very) full list of artists in the show, and work categories. Book As Environment / Environment As Book not only suits (S)Edition well, it’s a category I’m very happy to see. (click to enlarge)

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Blethering down to the wire

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I’m feeling just a tiny bit overwhelmed as the ZIA show approaches. Ironically, what’s going beautifully is what’s happening in the studio. Even that has its limitations, mostly of space, which curtails how much I can get done in a day. I need to periodically stop and wait for things to dry under my ocean-smoothed / Jasper Beach weights, and there are a finite number of those, and no room to set the work aside to dry while working on something else. Night-time work ends at 10 pm; a tired partner with excellent hearing is attempting to sleep in the next room. Still, happily, I am really liking this series. Yesterday I finished the last of the pieces that were built at Ragdale in the fall, and today will move on to two complicated accompanying works.

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Physical therapy goes well, too, and I have come – in the sense of having a big Monty Python-esque foot drop from the sky onto my head – to understand just what it does. Twice daily, the exercises and stretches counteract the specific, constant pull that the arthritis exerts on my skeleton. If I skip a session, that fact is painfully pointed out. (Right now I’m in the middle of a two-week break from p/t appointments, but have an assigned routine for the interregnum, plus really helpful suggestions for keeping the pressure off my back in the studio, where all the current work needs to be done while I’m standing.)

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For the past week, Chance-pup has been experiencing some regression.  I can’t pinpoint any incident that might have triggered it, but he reverted to a nervous, reactive stage. We continued to work daily, but I haven’t been forcing him to take more than a few steps outside his secure space; we’ve been reviewing, watching the world from the porch, building back confidence. Today, a quiet weekday, we ventured back out for the first time: just a short stroll back and forth, past two to three houses either side of ours, into two neighbors’ driveways. He did well (and got lots of praise) for the most part, but challenged the single car that drove past. Sigh. Once the show is up, I’ll contact the vet for advice. There are also Many Things That Need To Be Done in the gardens, and those have to wait too. We won’t even talk about the state of the house, though I do police the kitchen nightly.

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In the studio, it’s been easy to forget all that as colors dance and my stone circles of weights assemble, break ranks and reconfigure in endless patterns. The garden will forgive me, I think.

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Out in the world, social media told me that I ‘attended’ AWP via the Spoon River Poetry Review. I didn’t realize my work was on the covers of two adjoining issues, but I liked seeing this stand full of them. And (S)Edition continues to spread its spores.

Openings

Tomorrow, April 8,  The Contained Narrative: Defining The Contemporary Artists’ Book opens at the Minnesota Center for Book Arts. The show was curated by Cathy Ryan and Jeff Rathermel and will remain on view until July 26; it is being presented in coordination with the MCBA’s 2015 Book Arts Biennial. I’m happy to say that a substantial installation of (S)Edition is included.

I’m still in the studio, finishing up a body of work and generally getting ready for this:

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I’m really liking what I have seen of Lisa A. Frank’s work so I’m quite pleased that we will be showing together. The show opens with a reception from 5-7 pm on Saturday, April 25 and runs through June 6th. If you happen to be in  the Chicago area, I’d love to see you there!

I’ve also updated the news page of my web site with these shows and a bunch of recent internet things. Now, back to the studio on a grey and chilly trying-to-be-spring day.

 

April, popping.

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Happily checking in: now there is radio silence because I’m busy with good things.

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A studio marathon is (finally) well underway. It is just…glorious, dancing with color in the beautifully increasing light. It’s so wonderful to have finally resolved a sticky color conundrum, and to finally see this series coming to life. Also, the process requires drying breaks which conveniently rest my back.

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That’s a little less necessary since two days ago. There was an unexpected and rather dramatic result from physical therapy, a deep pop pop pop, and my lower spine released or adjusted itself, significantly decreasing pain and increasing mobility. And, I’ve finally gotten approval for the therapists to also address the ongoing situation with my knees…comfortable walking is in my near future!

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That’s also allowed me to get out into the garden for short periods to start the early spring chores, including fencing out Chance of the giant shovel feet. His training goes very slowly, when it comes to the world outside our gates, but I love him anyways. He’s still a giant pup who ran amok in a neighbor’s plastic egg display, chasing a low-flying robin. I laughed, went back and redistributed eggs while the unscathed bird followed me, scolding.

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ALL my indoor milkweed has popped up!  That gives me hope for the big batches I seeded outdoors (and also a means to identify the seedlings when they appear later in the season; I’ve never cultivated milkweed before.)

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Out in the world, (S)Edition appeared on some of Saatchi Gallery’s social media. And here is a lovely interview, in which I answer Really Good Questions popped by WSW’s Lizz Thabet.

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